The Ugly Truth About Wimmin

I came across this article in The Times about the 'secret lives' of women. The lives they live in their heads that they never let their partners into. Everyone needs a personal psychological space, and I respect that. In fact, I wholly endorse it. I wanted to read the article, though, because talking to a reporter gives people an anonymity they would not have otherwise, and that gives them a chance to be honest in a way they simply couldn't be otherwise. I wanted to learn about these secret female spaces, so I could better respect them.

But boy... did I learn.

It turns out all those ugly stereotypes are true and women really are disingenuous, manipulative, emotionally vapid harpies with obsessions about sex, shoes, lying and... well, anything but their 'soul mates'.

Don't believe me? Here are some choice quotes... (Oh, and the article was written by a woman, so this is all straight from the horse's mouth)

If they’re looking to regain self-esteem, the first place they look is sex with someone new.

“It was brief and very intense. It filled a gap in my life, and what it highlighted for both of us [he was also married] was how terrified we were of losing what we had with our spouses. I am so glad that my husband never found out, because the damage would have been immense. But then I wonder sometimes whether he suspected and turned a blind eye, that he knew everything would be all right between us as long as I didn’t confess, that it was something transient.”

Some women would rather have affairs than tell their partners that they want more in bed, believes psychoanalytic psychotherapist Jenny Riddell.

Ruth, 43, deliberately initiated a one-night stand when she was abroad for work. “I had been married for ten years to my first boyfriend, and I think I just wanted to prove that I could. It made me feel wonderful, because I had never had that experience before.”

"And how terrific when the crush dissolves, as it inevitably does, to feel the innocence of one who has done nothing more than commit adultery in her heart."

Or take Susanna, 34, who works in human resources. She has been married for years, but is enjoying a series of erotic e-mails and texts with a man she would never consider actually having an affair with. “I have to turn my phone off at night; I can’t sleep because it is so exciting. I need this, because I know I met my husband too young. I love him and will be married to him for ever, but I need this kind of exciting distraction.”

Few men realise just how much their partners sigh inwardly at male stupidity – and then discuss it with their female friends.

Women tell blatant lies about any mishap that might reinforce female stereotypes – crashing the car, buying new clothes. “He has absolutely no idea how much I spend on my hair, and if he did, he would be horrified,” says Clara, 40, who works in publishing.

Many working women (myself included) keep a running-away account, often secret, a sensible precaution when experience shows that men cannot necessarily be relied upon to support us. I know how much money my husband doesn’t have, and he knows that I have money in a separate account. But he will never know how much, because we might need it for something far more important than his Arsenal season ticket one day.

“He gets cross when I buy organic apples. So I put £200 a month into this account so that I can buy all the little luxuries that I want – like strawberries out of season, or expensive make-up – without him noticing. I want that freedom to be able to spend money frivolously, but I also don’t want that to be a sticky aspect of our marriage.”

“Men are so simple. They think we are complicated and devious, but they don’t think to ask us what we want, and we don’t say,” says Clara.

I used to think all those love songs were about men and women,” a new mother told me for my book Life After Birth. “But it is only now that I understand how all those words are really meant for your child."

“If he were killed in a car crash, I’d be more worried about how it would upset the children. I could cope with my grief, but I am not sure I could cope with theirs.”

There is a big difference between hiding an ongoing affair, where you have fallen out of love with your partner but can’t bear to end the relationship, and the casual fling, which was unfortunate, but didn’t mean anything. Not every affair needs to be confessed, particularly if your prime motivation is to appease your own guilt.

And what about their sample?

Sarah, 35, Company manager;
Helen, early 50's, travels abroad regularly for work;
Evie, 45, married to her childhood sweetheart for 25 years, 2 children, finacial difficulties;
Ruth, 43, abroad for work;
Caroline, 45, an architect;
Susanna, 34, HR;
Pat, early fifties, local government;
Clara, 40, publishing;
Carmilla; earns a small fortune in the City of London;
Joanne, 40, lawyer;

Ah, I see the white, upper-middle class career-type is well represented. Which is good, because it's a known, proven-by-science fact that they can speak for every woman, everywhere. Such a representative sample also rules out the possibility that the similarities in their views and experiences might be down to similarities in their circumstances and lifestyles, rather than solely due to their sex.

I think the best bit has to be the quotes from actual, real women on pages 3 and 4.

Thank you, Murdoch press, for bringing the truth! I'm so glad that the truth, once again, panders to my insecurities and reinforces my sense of entitlement. I'm really grateful you're here to protect me from a world where I might have to think and challenge the assumptions I hold about people who aren't me!

February Reading

Around the end of December, I realised that January was going to be a hectic month. By the 31st, I had to:

• Finish planning and write Symphonie Magnifique;
• Finish researching, plan and write The Man Who Ate Germany, a piece on German unification under Bismark for SPM;
• Work with Allegra to plan and write a piece on being a Steampunk every day instead of just for gatherings and conventions for SPM;
• Think about, plan and write my story for an anthology being published through Vagrants Among Ruins;
• Read and review Hartman the Anarchist for SPM;
• And I’ve just found out about a Big Finish competition to pitch an idea for an audio drama featuring the Fifth Doctor (the best Doctor) and Nyssa.

In most realities, any one of the above would take a whole month.

I impressed myself and submitted Symphonie Magnifique to Crossed Genres on the 13th. I’ve since been working with Bismark, the mad Junker. I’m in London for the Steampunk Spectacular this weekend, but I still have confidence that it will all be done on time.

The anthology story has had to be pushed back due to factors outside my control. Partly, I’m relieved. I’m also partly annoyed, because I had a nascent, half-formed idea which I was beginning to nurture when I found I’d have to somehow keep the embryo warm but in status.

All this unfortunately means that I don’t have time for reading this month. Well, I do, but only reading which serves the Greater Good. That’s annoying, because I got some books for Christmas and spent the few pence I had left from my wages this month on more books. So, February I’m going to read. And no one can stop me!

As well as all the magazines and 'zines, we have:

• The Judge Dredd/Batman Files and Vendetta in Gotham. Seriously, Dredd vs. Batman? The first scene, the first scene, has Batman squaring off against Judge Death.
• Grandville. Written by Bryan Talbot and inspired by the work of nineteenth-century French illustrator Gerand, who worked under the pseudonym Grandville and frequently drew anthropomorphic animals. When it was claimed by both the furry scene and Steampunk scene, I decided I had to get it. It arrived on Tuesday, and it’s a beautiful book. It’s hard-backed and the covers are textured like those volumes from the 60’s which still lurk on my parent’s bookshelves, and the inside covers have an almost marbled design which echoes those same books. The binding is solid… in short, it’s turned all the shortcomings of graphic novel production into things to be proud of.
• Steampunk. Steampunk short stories collected and edited Jeff and Ann VanderMeer. I’d be a fool to walk away. Especially because I submitted Of Mice and Journeymen to the follow-up anthology, Steampunk Reloaded.
• The Apex Book of World SF, edited by Lavie Tidhar. Difficult though it’s been for me to accept, the world of SF/F has tended to be dominated by white, western, able-bodied men. The strange new worlds and brave new civilisations imagined have, a lot of times, had WWAM values at their core no matter the fantastical creatures which populate them, and the colonies and cities of the future are images of our western metropolises. It takes delicacy and skill to open up new cultures to old minds like mine, and I trust Lavie’s judgement to collect stories which, above any sort of agenda, are stories. They entertain, create and are driven by ideas and characters first and foremost. I brought this book because I need to read it and because the publishers need to be supported for producing it. Also, the publishers need to be supported!
• Crimea, by Trevor Royle. The Crimean war is, in my opinion, the Steampunk European war. In the comfortable houses of those in charge, it was a cluster-fuck of diplomatic and military blunders with each side only being saved by the disasters of the other. In the tents of the soldiers, it was filled with breath-taking acts of humanity and bravery by both sides which have become part of our treasured history. It was also the first ‘media war’, the battlefield ending up on the breakfast tables of London the same way the Vietnam war was beamed live into the living rooms of a generation.

There are probably enough straight reviews out there already, but I may write something about the Apex book on it’s Amazon page as @apexjason would like some good reviews there (even if he wouldn’t send me a review copy :P). I’m sure I’ll be inspired to write something here by all my reading. And I’m expecting to reap bountiful harvests of fiction-fertilizer, especially for The Colossus Engine, my Crimea war story about a plucky group of rag-tag soldiers and their attempts to destroy Britain’s ‘ultimate weapon’ before it can be used.

And it looks like I’ll have a chance to put some of those fiction-flowers to good use: I’ve just got an email from Absent Willows about a new fiction contest they’re running. The universe may or may not be trying to tell me something, but I’m going to err on the side of caution and act like it is. After all, of all the things you could piss off the universe is probably one to avoid.

Privilege and I

I’ve been learning a lot about the idea of privilege over the last few months, both as an increasing member of the SF/F community, and the Steampunk community.

The argument goes that, being part of the dominant culture, I’m in a position of privilege.  I’m part of the dominate culture because I’m white, male, able-bodied and Western.  I can expect the cultural values I hold to be reflected in the society around me, and I can expect ‘my’ people to be extremely visible--i.e. white, able-bodied Western men on T.V., billboards, adverts etc.  Because of the visibility of WWAM, people in my society will take my opinions more seriously, offer me more respect and more doors will be open for me.  I’ll be recognised as part of the ‘norm’, you see.  The physical and psychological world I live in will be designed more around me than people not of the dominant culture. 

I can’t deny that it’s true.  Imagine you’re, say, eight-foot tall.  You’d have to stoop to go through any shop door, you wouldn’t be able to buy clothes easily, you’d only be able to drive larger cars etc etc.  Next time you’re walking around town, have a look at the amount of steps you need to navigate and imagine you were in a wheelchair, and couldn’t do it.

As a WWAM, the theory says, I’m also not subject to generalisations that other groups are.  You know, like ‘black people are good at dancing’, or ‘women are good cooks’, or ‘Indians like curry’.  People aren’t going to look at me and assume they know things about me based on my skin colour/gender/number of limbs, the way they might look at an Indian-looking person and assume they’re from Banglatown, or look at a Middle-Eastern looking person and assume they’re a Muslim. 

To an extent, I’ve been a victim of it too.  I gave up eating meat a few years ago, and I am so frikking sick of egg or cheese sandwiches.  If I want to have something to eat that I don’t make myself, those are pretty much my only options.  Especially in motorway service stations, although the ‘vegetarian option’ offered by most restaurants is normally little better.  When I give up dairy this year, my options when eating out are petty much reduced to zero, even in restaurants. 

The trouble I find with this notion of privilege is that it lumps all white, English-speaking people together.  Everyone from Scotland, Shetland Isle, Ireland, Wales, England, North American, Canada, parts of the Mediterranean, South Africa and probably a whole bunch of places I’m not too aware off, all in one great big homogenised lump, all sharing the same cultural values and goals.

I’m told this is the sort of thing people who aren’t part of the dominant culture have to put with all the time--e.g. all black people--from every part of the world--can dance.  As an example, a friend of mine drives a very old, very beautiful, very temperamental motorbike.  She had just filled up with petrol and the bike was refusing to start, as is its want.  A man from one of the other pumps came over and told her that he would help.  The problem is that she owns the bike and is very used to dealing with it, knows its moods and how to deal with it, but the man who came to help thought he knew more about it than her because ‘women aren’t good with cars or bikes’, that unspoken assumption he probably hadn’t even realised he held. 

This is a problem in the SF/F community (and by association the Steampunk community), as Jeste de Vries points out in a kind of related post on the Shine! blog:

“On the one hand, it is extremely hard to deny that the majority of both SF writers *and* SF protagonists are white males….

That none of the 57 Hugo Awards for Best Novel have been won by people of colour (and 15 by women), is not a good sign. That all of the SFWA Grand Masters are white, and that only 3 of the 27 SFWA Grand Masters are women doesn’t help matters, either. Compare this with a literary prize like the Man Booker Prize (where 8 people of colour, and 15 women have been awarded among the total of 43 recipients), or the Nobel Prize for Literature (where 9 people of colour, and, admittedly, only 9 women have been awarded among the total of 106 recipients), then one can clearly see that SF still has way to go in that respect. OK: one could also say that the whole of western literature has quite a way to go in that respect, but I do note that the number of ethnic and women recipients of both literature and SF prizes has been going up since, say 1960 or so. If looked from that perspective, SF has much more catching up to do than literature.”

Now, Jeste de Vries’s point is that SF needs to reach out to new markets in order to survive.  It needs to engage with people beyond its WWAM fanbase.  What people don’t seem to mention in posts like the above is that this is SF/F written in English.  How does the distribution of SF/F output relate to the distribution of the English speaking audience? 

According to the Internets, there are about 375 million people in the world who have English as their native language.  The top two countries--the USA and UK--account for 275,922,205 people, or 73.58%.  In the USA, 75.05% of people identify as white, and in the UK 92.10% of people do.  So, of those 375 million people, about 60% identify as White.  Okay, so that’s very rough.  Very, very rough.  But according to that, in order to be representative about 60% of SF/F stories should feature white protagonists. 

The thing that worries me is the skew in the numbers.  As someone who’s white, I get to be part of the worldwide 60%, not part of the UK 92.1%.  I worry people are going to say, ‘he’s white and is contributing to the WWAM bias’, and not, ‘he’s from the UK and its fine for him to be a white SF writer because 9 out of 10 people in that country are white’.  I worry that I’m only ever going to be seen as a WWAM writer.

I think the answer is that I’m getting butt-hurt over the fact I’m losing my privilege.  Up until now, I’ve been able to ignore the bias--that’s been my privilege.  Now I’ve lost that privilege and I’m just like everyone else.  Like anybody who loses something they haven’t earned, I feel hard done by.

Or maybe it’s that I’m losing the assumptions I’ve been brought up with, the world I thought I’ve been living in all these years is dissipating, and I’m scared.  Strange New Worlds scare the crap out of me.  People, you see, in Strange New Worlds will hate me, taunt me and keep me ostracised.  (Yes, I do have issues.  I’m working on them, I promise.)

Either way, this is where I find myself…